The Beaded Tapestry

Dear Analis,

The first set of extrapolated data is now on it’s way by strip beam to your laboratory on the Phycodurus. It will be so difficult waiting for ten months until you arrive and are able to tell me what you find in the numbers. I am having trouble staying grounded and I need your analytical mind to keep me in check.  If I analyze the results with my scientific mind I see much promise in my progress so far. It appears our research is taking a step toward the type of results we hoped to obtain during our original groundwork. The issue is that when I view the results from an artistic perspective I lose all sense of reality and my mind jumps to visions of  the amazing things we will be able to achieve here and I forget all about what we ultimately need to achieve.  The variety of colors and shades that have emerged from my experiments with the surrounding material are without comparison to anything on Earth. The entire back wall of my studio is covered in the studies I have completed over the last weeks and I find myself waking from the depths of sleep with new visions aching to be depicted on canvas.  My living quarters are now available for my immediate occupation but I find myself reluctant to leave my work space and I have moved a small sleeping mat into the work area so I can sleep surrounded by my depictions of the Equine.  I had the data  to send to you for over two weeks before I finally pulled myself away from my painting long enough to set up the messaging equipment yesterday.  I am slightly upset at myself for becoming so obsessed but if you can imagine a new world that offers colors in which you have never experience in your lifetime it is understandable that is is beyond my weak mind to resist.  I will not be able to scan any of this new work into my digitized system as the program does not have the reference to interpret these new additions to the visible spectrum. I see now the issue with photographic representation of the Equine that now exist on Earth. It is impossible to capture it accurately with the currently available equipment.  I am hoping I can alter my scanner program to meet this challenge in the future but for now you will have to be satisfied with only the data from my research and your own view of the Anomaly.  I must admit that I have done nothing else over the last week but paint so I will  need to shift my priorities in the coming day to return to my material trials.  

Each day my vision adjusts to this new world and the Equine reveals more and more of itself as it drifts in the sky above.  As my brain learns to interpret this new environment, new colors and hues are added to the limited spectral catalog I experienced on Earth and the internal structure of the creature becomes more apparent as my enhanced eyesight  progresses.  The surrounding countryside has also transformed and I now see the local terrain emerging into an unrecognizable fairy world.  The browns and greens of the desert basin and the green and blues of the nearby river was the limit of my pallet when I first arrived.  Now that has all changed into a fascinating world of azure waves and brilliant indigo shades that I never in my deepest imagination knew to exist.  My hands are stained an unexplainable color from my constant mixing and my surrounding work space is a chaotic dream of splashes and overflows from various mishaps.  I am now occupied with my fourth full rendition of the Equine and the distillation equipment I built  is constantly in use. I have constructed two more units but neither work as well as the original model.  I suspect it has something to do with the container used for the collection of the finished product.  I have only found one of the original type gourds that is large enough for the purpose and I am constantly on the lookout for another.  I had to use glass flasks from my lab equipment as substitutes for the last two constructs and these produce a much different end product that does not mix well with the acrylic base. I will attempt to produce a container from  the local clay next and hope this results in a more adequate vessel  than the items from Earth.  The gourd is perfect but even though I have been on the lookout during my weekly stroll to the river bank I have been unable to find another of an adequate size.

Since the completion of the living quarters there is now only a skeleton crew left on site to complete the finishing touches to the building and surrounding support structures.  Addison says everything will be completed and operational before the onset of the cold season and he assures me that with any more than the three workers currently here, we will only get in each other’s way.  That gives us  just over three months left for the completion of the build, then the site will be fully operational.  Addison has given me a local contact in case I have issues with the environmental equipment and another person for the sustainable energy. Since I have been involved in the bulk of the build activities I am fairly comfortable with all the various equipment and hopefully I will be able to solve most problem that arise.  There is a supply and transport service schedule to visit the site every months and I can always send a message if more assistance is needed.

I received a message earlier this week from Nicolas.  It was so comforting to hear from him and find out how his project is progressing.  From his letter I could feel that his enthusiasm for his work has escalated and that his expectations have also been surpassed.  He states that the work and results are far beyond his original ideas and that new possibilities come to him everyday. He described a few of the dishes he has created for his clients and a little bit about the effects his food produces.  He was slightly vague on that last point but I suppose he also has his  trade secrets to protect.  After I finish my letter to you I will write a return message to him as I have not contacted him since my arrival at the site.  I also want to ask him if he is also experiencing the visual adjustments to the new planet as I am. I have asked Addison about the same thing but I only get a strange shake of his head and nothing further.  I hope to arrange a visit at the end of the build to visit Nicolas at his location.  I would like to see first hand what he has produced and if it could possibly be beneficial to my work. He may be reluctant to share on this level but from the different materials he mentions in his letter I feel certain we can both profit  from this shared knowledge.  I only hope Nicolas feels the same.

I have made arrangements to travel to Medici at the end of this week. It will do my brain good to be separated from the studio for the day and I need some additional supplies that I prefer to choose for myself. I hope it will allow me to reset my priorities as I have neglected the research portion of my work over the last few weeks.  I will also attempt to locate Katryna and convince her to visit me at the studio.  Although I still feel her presence it has taken a backseat to the overpowering experience of my art.  I still feel a need to reconnect with her but I will have to be delicate in how I bring my needs across.  I do not want to dissuade her by giving her the idea that she is a research subject, but the scientist in me feels that is exactly what I want her to be.  Hopefully we can come to a mutual understanding and work together.  For all I know she may also want to study me.  As I said in my last letter, I feel she has unfinished business with me.

It is at times like these that I really need your analytical mind for guidance. You can see from my letter that there is no focus in my life at this moment.  As you have not come to me in a dream since my arrival at the studio site I beg you to repair that omission.

Love you always,

Victoria

Studio Site New London

Dear Analis,

The meditative effect I experienced on the Phycodurus 8 has returned but with the added intensity of the full unobscured illumination from the being above.  I feel the Equine’s  presence as soon as I rise in the morning and it drives me through my day,  pulling me back to remain focused on the present whenever I drift from my intended task.  I know this will sound strange but I feel that it is happy I am here and seems to find a purpose in guiding my scattered thoughts. I don’t know what I would have done if not for that dragoon. I would probably still be unpacking my clothes.

My thoughts keep returning to the train journey here and my conversations with Katryna.  The manner in which she shrugged away my doubts concerning her abilities still haunt me even weeks after the encounter. She gave me the impression of being much older than her limited years and I can still recall the strange flash of green in her brown eyes when I questioned the validity of her gift.  It was not anger that I saw in her young face but a knowing glimpse into the absolute confidence she possesses in respect to anything relating to the Equine. I have not seen her since leaving the train platform in Medici but I feel her presence every day as if she is watching over my shoulder as I continue my research.  It is a bit unnerving and no amount of meditation has been able to relieve this sensation.  Soon the studio will be fully operational and I will have time to return to Medici and seek Katryna out. It might be only an errant  idea from my subconscious but I feel she has unfinished business with me and I need to address it.  Unfortunately she did not share her residential information with me but as she has lived in the community for several years it should not be difficult to track her down.

I have returned to my practice of Hermeticism in the last few weeks. Not only as a relief from Katrynas presence but also to direct my focus to the tasks at hand.  I find myself trying to do four things at once and the ongoing distraction of the construction does not help. There is no sea here to sit beside and meditate to the rhythmic waves but I am able to converse with the Equine and that is far better than any beach could offer.

The studio is now complete and the framework for the attached residence is in place.  There is a team of seven builders on site at the moment including Addison and the work is moving quickly toward completion. When complete the residential dwelling will have two large bedrooms, an open plan kitchen and eating area along with living space that runs the entire length of the structure. There is a door connecting the living area directly to the studio and room for a small office in one corner near the entrance to the kitchen has been planned. I brought few books with me from Earth as my digital library is quite extensive but I still arranged to include a small built in book shelf along one wall of the office corner.  It will be positioned directly next to one of the deep set window seats and I have ordered covered cushions from one of the shops in Medici to create the ideal sketching and reading area. It seems frivolous to arrange something of this nature with everything else that must be done but somehow the act of performing these types of domestic house arrangements are comforting. It brings my mind back to a normal place after the chaotic activities over the last  few months.

Addison has turned over the assessments he performed on various local materials before my arrival here and I will verify his findings as one of my first tasks.  He did not include plants in his choice of material  but mostly concentrated on minerals from the surrounding area. I have a list of fifteen substances to validate from his investigation.  He only had use of a crude set of local instruments before my arrival here but his preliminary finding are promising on five of the heavy metals. Along with the pytherium and sage, this gives me a total of six different materials with promise. I have analyzed the first data from the sage distillation and compared it to a similar plant I studied while still on Earth.  Although the spectral results are similar when compared to the desert sage from Mexico,  the New London sage has very unique electrical properties.  It may be an ideal candidate for the carrier signals within the planned Louvre masterpiece but it is too early to be certain. I still need to test the sustainability of the new sage but I will not be able to do this until the delicate Chronometer and spectral equipment have stabilized in their new environment. They are now set up within a sealed mini lab and I will not have access to them until the studio atmospheric testing is completed.  I should be done with those tests early next week and if the readings are acceptable  that will be the final phase for the lab to be declared complete and operational. I have also completed unpacking the remainder of the equipment from the Derringer and luckily they all seem intact.  It seems the meteorology equipment was the only victim on the trip from Earth and I will not be short any research tools for the actual project.  

By the end of this week I will have enough new data to justify a strip beam message to the Phycodurus for your archives. Hopefully when you arrive there will be so much for you to do the sadness of our separation will be bearable . I know it is helping me.

Love always

Victoria

Studio Build Site

Dear Analis,

After several failed attempts to sit down and write you a letter, I am finally able after three weeks to put down more than a few words before an interruption pulls me away.  Complete exhaustion is the only way to explain my current condition but I am ecstatic with the progress we have achieved so far bringing the studio into reality from the visions I have carried for so many years.  Addison is well versed in the local building practices and I have learned much about desert construction and renewable energy planning working with him in the last few weeks. The buildings on site are completely constructed from blocks made of the local clay and they use a curing process similar to the adobe bricks found in the southwest regions of the Americas.  Since the clay produces a near perfect insulated structure once bonded, it is the material of choice here for the extreme temperatures.  To an extent I was prepared for the heat but not for the drastic drop in temperature that occurs as soon as Proxima drops below the horizon.  The site location in the high mountain desert creates an ideal vantage point to observe the Equine but promotes an environment of extreme temperature variations over the course of the day. Even now in mid-summer I awake to frost on the ground and clouds of misted breath as I hurry between my temporary quarters and the studio structure.  Once inside the brick building and the door is sealed the temperature quickly stabilizes to a constant eighteen degrees centigrade.  A narrow veranda is currently under construction that will completely encircle the studio and living quarters.  Once completed this feature will provide an outer barrier against the temperature changes and allow the studio to remain at the optimum temperature and humidity for the delicate environment needed for the equipment. The veranda will be completed by the end of the week and  I can complete the installation of the last pieces of equipment required to fully begin my work. There will be no need for additional environmental controls as the clay material acts as a constant control of the space within it. The walls are well over seventy centimeters thick with deep set thermal windows inset into the bricks themselves.  Permanent window seats are built into the deep wall of the structure along the entire length of the east end of the building and i can imagine it will be my favorite seat for that first cup of morning coffee before beginning work.  A large conservatory will be added at the west end of the building  to allow for an art studio with unobstructed views of the Equine. Although it will also be enclosed using thermal glass similar to what we installed in your laboratory, the glass panel will be constructed for easy removal to created an open air room with unobstructed one hundred and eighty degree views of the surrounding countryside and the sky above. I have no time at the moment to think of such luxuries as sky gazing and enjoying a cup of coffee but it is a feature I look forward to enjoying. I hope to acclimate myself to this new environment enough  that I am able to enjoy working outdoors in the darkness of night  as I originally planned.  Unfortunately I was deceiving myself in my dream to begin this practice as soon as I arrive.  I will have to continue my practice so far of painting outside during the day and painting from the protected walls of the studio by night. At least until my body becomes a desert dweller.

My temporary quarters are not as nice as my future home.  I am now housed in a canvas tent with just enough room for a bed and the few possession I find necessary during this construction phase.  It has a small environmental conditioner to stave off the heat and cold but I am counting the days until my permanent residence is complete.  The block shell of the residential section is all that is complete so far as the main focus has been on the work space.  The use of wind and solar technology here is fascinating and the site will be independent of the need for outside energy sources once all phases are complete.  At this time a small fusion generator has been installed for temporary use and from what Addison has told me it was not an easy permit to obtain even for a short time use.  It is not the power source of choice here on New London as it uses a non-renewable energy core.  Since it was exported with the rest of the equipment from Earth It was allowed under strict conditions. It can be used during the construction phase of the project and  retained for emergency use if a future need arises but it must be monitored for emissions at all times and must be removed from the planet after the work here is complete or five years.  Whichever come first.  There is much debate here over nuclear material deterioration and this was the compromise made by Addison for agreement of its use. It places a time limit to my time here but it is within the deadline set by the Louvre contract so it does not deter from my plans.  

I was pleasantly surprised when I arrived at the train station in Medici that the stark desert had gradually flourished into a green oasis as we neared the area.  The village is built along the banks of the Theomine river which flows for many kilometers across the country separating the desert floor from the high mountain region to the east.  A green belt flanking the river extends several kilometer from its banks and is the lifeline for this area.  The village is built on both sides of the river with an incredible ornate  bridge spanning the fast moving water connecting the two communities.  Katryna informed me that over four thousand people live in the surrounding areas with the majority centered around the west side of the river.  The studio site and the forty acres are located one hundred and fifty kilometers north up river from the village and half a kilometer from the river bank. The site benefits from the green belt surrounding the river and access to the water rights were granted in the land use permit.

Every day my appreciation of this new type of terrain grows and I begin to see beauty where before there was only sand and scrub brush. Each passing day there are new wonders to explore and the addition of the ever present Equine in the sky above adds to the mystic of my new life here. I put aside an hour a day as close to the coming of evening as possible to walk to the edge of the property and gaze at the darkening sky and the full splendor of the Equine. There is a  total absence of sound and light during this special closing of the day as I watch the Equine emerge from the blackness of space. It is what I wait for every day and it never fails to take my breath away. I find it more difficult every time  to pull myself away and return to my current task. The only reward is knowing that soon I will be able to place my full energy in this pursuit but for now this hour will have to be enough.   

Although the construction of the site has encompassed most of my time I have made room for a bit of research into the surrounding area and what resources are available on my little slice of New London. The underground container that once held the construction supplies has turned out to be an ideal storage location for the materials I have gathered so far.  There are natural mineral deposits near the edge of the property and I have collected several promising components for my study.  Along with the minerals there are also many useful plants nearby including a variety of the pytherium plant that I spoke of earlier,  This was a fortunate discovery as the first tests I performed on the sample I purchased in Newton have proved it has some amazing properties. I spent the entire day today installing the spectral scanning equipment for the material analysis as that will be the ultimate test to prove its value to our finished product.  By the end of the day tomorrow I will have the first set of data in hand to outline my process and begin to plan for the needed schedule in the coming months. The final piece of the puzzle will be in place with the installation of the delicate equipment next week then I can concentrate on results. Along with the pytherium I have already mixed a few other plant materials with the acrylics I brought with me.  The results have not disappointed so far and the completed end products show promising readings from the basic tests.  An oil distilled from a relative of the sagebrush has produced the most vibrant green I have ever used and I have chosen this material as my first research victim after the pytherium. The historic distillation apparatus we studied during our research has proven easy to construct and extremely efficient. Using the ancient designs I found in the medieval section of the Louvre archives  I easily replicated the distillation unit.  The required construction material was obtained from the surrounding area including the large gourd used to collect the final product. Within a few days I had my first specimen in hand. I have altered the historic plans only slightly as the original was used for medicinal purposes but it has turned out to be amazingly operational. I have included a drawing of the finished design along with a detailed step by step procedure for the production of the oil with this letter so you can add it to your research material. As soon as I have correlated the data I have so far on the sage and pytherium  I will also send it your way.  

Love as Always

Victoria