
After a month had passed and Erendar prepared to once again attend to the chimes, Ellyna came to him in his workshop and expressed her wish to speak of what had transpired on their joint venture to the meeting halls. Deep into the night they spoke of the encounter with the musician and what they both suspected was his malicious intensions toward their creation. Ellyna spoke of her encounter with Galvinar, as Erendar had tended the chimes, and the hatred that now marred her life, an affliction that she had never known before. This last confession filled Erendar with dread for never had his sister been afflicted with evil tendencies or judgements and he blamed the musician for all her woes. He also at last perceived the obsession of Galvinar and wished to deny him even the sight of his sister’s face.
The next day as his sister slept, Erendar left their home and made his way to the meeting hall of the Doyens. The foyer was deserted upon his arrival and there was no sensation of watchfulness to mar his work as he tended the chimes. This relieved Erendar but also disappointed him since he wished to confront the musician about his encounter with Ellyna, and to warn him against further interference. But as the day wore on and Erendar complete his ministrations, no sight of Galvinar had been seen and no watchfulness was felt.
Unbeknown to the craftsman, Galvinar hid amongst the trees on the border between the Fayde and the Realm of the Doyens and watched Erendar as he made his way to the halls. He then took to the road and heading away from the realm, made his way to the lands of the siblings. There he found Ellyna at work on her loom upon the raised platform at the edge of the forest. She was unaware of his presence, being in the trance of foretelling that came upon her when she created.
The musician then pulled from his back a golden harp that was bound there, and began to play. In the months since he first gazed on Ellyna he had labored on the melody that he now played. In this composition he injected all his desire and quest for control into its haunting theme, both beautiful and bewitching. Ellyna at once fell into his spell, being already in a state of reverie and receptive to magic.
The musician completed his song and seeing Ellyna returning from her trance, stole away before ever she saw him. He hid again in the trees on the edge of the land and watched her as she gazed in bewilderment at the unfinished tapestry before her, wondering what had broken her dream before her work was accomplished. She then arose from her loom and making her way up to the house, entered and was removed from Galvinar’s sight. Turning, he made his way back into the realm, avoiding the detection of Erendar as he returned on the same road. There was no need to observe further the home of the siblings. Galvinar only needed to bid his time and await the fruition of his labors.
At Erendar’s return he was overjoyed to find Ellyna once again herself and all shadow of her encounter with the musician strangely gone. Only a month had passed since her visit to the chimes, but his hopes were that the memory had faded and her strong nature had won over the evil influence and she had now returned to herself. He vowed to keep her away from the musician at all cost and in this he knew she would rebel as this would also separate her from the chimes.
As the year drew to a close the Doyen and Doyenne sent another messenger to the siblings, desiring a new commission from the workshop of the artisans. They wished Ellyna to create a tapestry for the Arch Doyenne who was expecting her second child. She wished for a rendition of her expected child’s former existence in order to prepare the home for his arrival. In this request unbeknownst to the Arch Doyenne was the interference of the musician, for he wished to look upon Ellyna once more and see the progression of his song. During the announcement ceremony of the expected child, Galvinar included the praises of the siblings work in his song, thus placing the compulsion within the Doyenne to request this new commission. He also injected doubt within the Elder at the happiness of the new born if his past was not revealed and studied before his emergence. In this act of manipulation of the minds and desires of the Doyens, Galvinar tainted his fate although he knew it not. The Elders looked with fell judgement on any being who interfered with the free will of another.
At his summons, the first strife arose between Ellyna and Erendar, as there never had occurred within their life together. His desire to isolate her from the musician and also to protect her newly healed mind created a rift between them. Ellyna, knowing the importance of this new request from the Doyenne and the need for direct contact with her subject, was confused by her brother’s reluctance at her acceptance of the commission and her desire to travel to the halls of the Doyen. Their debate went well into the night and escalated with Erendar losing his reason and forbidding Ellyna to go, ran out of their workshop locking her in behind him.
This proved the undoing of his plan as Ellyna knew many hidden escapes from their dwelling structures being the chief designer of their abode. After Erendar had locked the door and Ellyna was sure he had gone up to the house, she went to the back of the workshop near the storage of her tapestry supplies and released the latch on a hidden panel opening onto the platform where she sat to do her meditations. It had been placed there only as a convenience, giving her quick access to additional supplies when she was at her work, relinquishing the need to traverse the entire building. She then escaped the workshop unnoticed, closing the panel behind her and made her way down the green lawn and onto the road that led out of the Fayde. Erendar knew not of her escape until the following morning.
Being an early riser, Erendar woke just before sunrise and quickly preparing refreshment for his interned sibling and himself, made his way out of the house and to the steps of the workshop. Entering the workshop with his peace offering he found Ellyna gone, knowing at once where she had gone although not realizing her full mind. He then took immediately to the road hoping to overtake her before she reached the realm. By this time Ellyna was already in the throes of the musician, Erendar being too late with his pursuit.
As her bother slept in their home, Ellyna entered the upper Realm and by the rising of the sun came to the great doors of the meeting halls. There Galvinar stood in greeting and she found herself glad at their meeting, but knew not why. He led her through the empty foyer and into the inner structure through the left arched alcove. Here lay the private chambers of the retainers of the sacred halls and only the Doyen and Doyenne were allowed entry by their liegemen. Galvinar took Ellyna’s arm and drew her to his own apartments, entering the rooms through a door of ebony leading off a maze of passageways. She did not question this nor ask why she was not brought before the Doyens, thus was the power of the spell that Galvinar had sung to her. There he placed her within his inner rooms and no one was aware of her presence.
Late on the day of Ellyna’s capture, Erendar arrived at the halls of the Doyen calling out for his sister. When he received no response, he entered the foyer and found it deserted. A slight melody from the chimes acknowledged his entry and he moved to the center of the dome and gazed up at their shining form. One of the Doyens found him there saying works of greeting, but also words of confusion at his presence. Although the elder welcomed the brother, his sister had been requested. Erendar voiced his concerns for his sister and also described the strange reaction to the request of the Doyenne that had come over his sibling. He learned to his dismay that Ellyna had not arrived that day and had not answered the call of the Doyenne. The elder did not realize that she was within their own sacred halls and surmised she must be elsewhere within the realm or might not have left the Fayde at all. Erendar’s thoughts went immediately to the musician and his desire for Ellyna and the chimes, but the Doyen pushed these suspicions away, saying their liegeman was away from the realm on an urgent matter. He then bid Erendar to continue his search within the Fayde and turning entered the inner halls.
Erendar spent the next weeks searching the realm and Surrounding areas for Ellyna, traveling further each day in his frugal hunt. He returned home after one last journey to the home of his mother, dejected and full of sorrow at his failure. His mother had hoped Ellyna would seek her out in her strive with her brother, but after a month no sight of her was seen and Erendar gave up, returning to their empty cottage to prepare for his next visit to the chimes.
During her internment, Ellyna revealed many secrets of her abilities, some willingly and others through the enchantments of the musician. She created two great works of art during this period, revealing much of her mind and aspirations. If all had remained as it were and Galvinar remained content with the possession of Ellyna alone, his crimes might never have come to light, leaving her a captive forever, but his desire and jealousy was not alone for Ellyna and her gifts. The burning desire to possess the combined efforts of the siblings that still hung within the entry of the Eldar grew with each passing day and their sweet melody taunted him at the stir of every breeze.
Thus, after a month of captivity in the grips of the musician, Ellyna’s brother returned to the realm to administer to the chimes. As he removed the chimes from their perch, breaking the seal of protection placed on them by Ellyna’s runes, the musician creeped up from the shadows and smote him with an oak branch. Erendar let fall the chimes and with a mighty disharmony they crashed to the marble floor. The cacophony made its way into Galvinar’s inner chambers and Ellyna hearing the chimes discord awoke from her enchantment and fled from the apartments of the musician. She entered the domed foyer and there discovered her captor hovering over the prone form of her brother who’s head was afflicted with a bleeding gash.
Then all that had transpired over her weeks of internment came rushing back to her in full and a rage filled her at the transgressions of the musician. She reached for the oak branch that Galvinar had let fall at the sound of the falling chimes and with all her new found fury, rushed to the stooping man with murderous intent. It would have gone ill for Galvinar if at that moment the Prime Doyen, on his way to the inner halls, had not entered the foyer, seeing the musicians peril. Catching her arm in midair as Ellyna strove to strike the musician; the Doyen stayed her movements speaking works of calming to her as she struggled against his grip. She released the weapon as the Doyen spoke, dropping her arms in dismay at her actions. Looking down at her brother, she saw his eyes flutter open and his gaze alight on her distraught form. The subject of his search was before him and the worry and agony of the last weeks passed from his mind. Slowly his eyes closed, shutting away the vision of his beloved sister and his spirit passed from his body, dispersing his great creative energy into the cosmos. Then Ellyna, her rage curbed by the elated face of her brother, knelt down and covering his fallen body, wept, forgetting all those around her and even who she was.
The musician had retreated to the wall of the foyer when he glimpsed the rage of the weaver as she stood confined by the Doyen. He now huddled in terror at what he had done and the arbitration and retribution of the Doyen and Doyenne he would now face for his transgressions: not only to the siblings but also to the Eldar themselves.
The Doyen and Doyenne, seeing all that had transpired since the creation of the chimes, held a council on the fate of the remaining sibling and their own liegeman. Now was the loss of the chimes influence felt the strongest since with the passing of Erendar and the decomposition of Ellyna’s spirit they could not be repaired.
Thus in consideration of all that had transpired the decision of the Doyens was to release Ellyna from the worlds of the upper realm, finding it the only way to break the grief of her brother’s loss. When the weaver awoke from her grief, she found herself in the lower realm and in mortal form. All memory of her former existence was washed from her mind, being a tragedy that could not be resolved. No retention of her life with her brother remained as the Doyen could not release her from the trauma of his loss. They instead removed him from her mind before her transfer to the lower realm and if an unwanted tear escaped her eye whenever she heard the sound of a chime catching the breeze, she only brushed it away in wonder at the unknown sadness.
They left Ellyna only an echo of her former abilities, a simple fortune weaver among her new people. On Galvinar they also took pity, but knowing he could no longer be included in the service to the Doyen after his transgressions against the Eldar and the perpetration of a death within the Realm, he was also sent in human form to the lower realm and all knowledge of the upper realm was removed from his mind. He retained a semblance of his former adeptness for music, but never again would he be able to use it for enchantments or dominance. He would be a simple musician, entertaining the denizens of his new existence.
Still, in the depth of his mind a desire for Ellyna and her talent lingered unknown to the Doyen, but he was sent far away from where Ellyna started her new life and no memory was in his mind of who or where she was.


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